A platter of frogs
As our collection of Thailand frogs gathers steam
they now occupy a platter,
plus those we have sent out to family, friends,
and regular commenters on the Raccoon.
All others, contact Turtle Island Imports.
Our hope is that gatherers on street corners,
peaceful protesters against Humpty-Trumpty
will take the frog voices up in unison 
to negate the need for mounted horse riders
and other order-keeping forces
near quiet downtown's Cutler Park,
to foil  their raucous spoilage.
Who can complain?
Like delightful Spring Peepers in a marsh.
The usual many.
BYE-BYE SHAMROCK
In a froggish mis-leap
we note that the Trumpkin artful deal-maker
has ordered thousands of green St. Patrick's hats
but with  non-Irish FOUR leaf clovers on the back!
Another Department Store recall ahead!
^,^
Weather
by Faith Shearin
Listen Online
There is weather on the day you are born
and weather on the day you die. There is
the year of drought, and the year of floods,
when everything rises and swells,
the year when winter will not stop falling,
and the year when summer lightning
burns the prairie, makes it disappear.
There are the weathervanes, dizzy
on top of farmhouses, hurricanes
curled like cats on a map of sky:
there are cows under the trees outlined
in flies. There is the weather that blows
a stranger into town and the weather
that changes suddenly: an argument,
a sickness, a baby born
too soon. Crops fail and a field becomes
a study in hunger; storm clouds
billow over the sea;
tornadoes appear like the drunk
trunks of elephants. People talking about
weather are people who don’t know what to say
and yet the weather is what happens to all of us:
the blizzard that makes our neighborhoods
strange, the flood that carries away
our plans. We are getting ready for the weather,
or cleaning up after the weather, or enduring
the weather. We are drenched in rain
or sweat: we are looking for an umbrella,
a second mitten; we are gathering
wood to build a fire.
"Weather" by Faith Shearin from Orpheus, Turning. © The Broadkill River Press, 2015
^,^
Cryin'
https://www.youtube.com/watch?v=JNbnFVBVnz0
and
https://www.youtube.com/watch?v=4uNoAp7RNUA
^,^
Been here before
^,^
Enveloped
When we were in seventh grade, Jr. High School,
1949, in The Lincoln Building, Waukesha
we were required to take one of several shop courses
along with our academic studies.
We opted for the type-setting course
not knowing that that form of printing
would soon be dead thanks to the prevailing
linotype machines. An earlier automation.
But now, in March 2017, we have found a set of type rubber stamps
which enable us to return to the days of seventh grade type-setting
- sort of -
and we are making custom envelopes for our personal
correspondences.
Some examples below:
As we meld this older technology today (3/10/17)
with our our up-to-the-minute computer printer
KD Cat, printer's apprentice, waiting for the
mystery machine to begin its magic.
This event is reminiscent of our
poem, an oldie ~
Cryin'
https://www.youtube.com/watch?v=JNbnFVBVnz0
and
https://www.youtube.com/watch?v=4uNoAp7RNUA
^,^
Been here before
Thy Spring Be Sprung
Thanks be to global
warmin'
My premature mind bees
swarmin'
To early thoughts of
upshoots everywhere
Our mutual friends
Sunny and Norman
Left for Florida 
But gol-ding it, hits
like Florida 
I'm thinkin' of a
thang so rampant
No rain or age can
dampen it
A future totem's
fixin' to join the other'n out there
Got to make a hole,
cement and clamp it
When the temps are
warm enough to dig and tamp it 
People are ask'n what
these things stand for outside my lair
But I don't tell 'em
nothin much about it
They're just painted
16 ft. poles, that's about it
The beauty is that now
I'm going to have a pair
"But what do they
stand for, Dave? Please.....
We gots-ta know, we're
on our bended knees!'
~ They stand because they
stand and they are rare ~
Oh, I hates to be so
inscrutable
But on this I'm jus'
immutable
I'm of an age now (64)
when I don't care"
[David Zep Dix
2-28-2000]
Ed note
Now I am 81 and I still feel that way
Ed note
Now I am 81 and I still feel that way
^,^
Enveloped
When we were in seventh grade, Jr. High School,
1949, in The Lincoln Building, Waukesha
we were required to take one of several shop courses
along with our academic studies.
We opted for the type-setting course
not knowing that that form of printing
would soon be dead thanks to the prevailing
linotype machines. An earlier automation.
But now, in March 2017, we have found a set of type rubber stamps
which enable us to return to the days of seventh grade type-setting
- sort of -
and we are making custom envelopes for our personal
correspondences.
Some examples below:
As we meld this older technology today (3/10/17)
with our our up-to-the-minute computer printer
KD Cat, printer's apprentice, waiting for the
mystery machine to begin its magic.
This event is reminiscent of our
poem, an oldie ~
Backwards 
In the Sun
From a man loathe to give up the 
manual typewriter
To bow to 
the age of computers
Who liked 
push reel lawn mowers
Wringer 
washers
And 
treadle sewing machines:
 We announce that
Something 
good happened here to mitigate
our reluctant accessions adopting the new over the old
while 
sitting as a machinist
 marveling at what the word 
processor
And color 
printer can do.
 We like to correspond with fountain 
pen
And then 
hang the letter backwards in a sunny window
For a 
while before sending
To study 
the line without the ability to read text
As if the right or wrong  will 
show
And save us from mistake or unmeant innuendo
Hand 
script, even supposedly horrible hand script 
Sometimes 
dangerous from the front side
Takes on 
a loveliness when viewed backwards
And this 
is interesting when one thinks
Of 
evaluations involving all angles and facets
Rather 
than merely the most obvious surface
(How 
often have we sent letters not so carefully 
inspected)
The 
thinner the paper for this sunlit viewing
the 
better:
We remembered a box of old onion-skin typing paper
we had 
from when thinner meant more copies
Yielded 
by typewriters and carbon paper 
Before 
clicks and double clicks and infinite production
We got 
this dusty box down and opened the lid
To find 
nearly a full box of crispy thin sheets
Audibly-crinkling onion skin paper
Talking 
paper very loud to the touch
After all 
that time being cooped up
Like a 
presumed useless ugly duckling 
Or 
love-starved oldster getting dryer
It leaps 
to respond to the slightest tactility
And you 
cannot buy it anymore.
Who needs 
it?
On the 
word processor so novel to us
we can 
practically put cardboard through
And 
obtain glorious-looking pages
But they 
don't talk when we handle them
They are 
dead except for the images on them
Not so 
with onion skin
It says 
something.
You must be of an age to 
appreciate V- (victory) Mail
From 
World War II when loved ones communicated
Across 
seas on government-mandated crackling tissue paper 
To keep 
the weight of transport down
And to 
reduce bulk.
 It was a practical and beautiful 
medium.
We inspected father's letters then on the flip side to the 
light
After we had digested all from the most obvious facade
We knew 
there must be more from him than that
Which 
showed on just one surface; 
 We were six years 
old
We searched side-ways both sides and between the lines
 We became familiar with the look, feel and 
sound of onion skin
Our one 
contact with Dad and so much  
preferred
To the 
dreaded telegram on yellow paper;
That bad 
paper never wanted never came here
And to 
find a whole box of  lively paper 65 years after
Those 
haunting hungry scrutinies was a blessing.
I
We had it among our high 
basement cobwebs
- Must have 
known it had value -
It had 
escaped years of throwing out
In silent 
peace like a covered bird
 Intact a perfectly good box of now off-white 
paper
backwards fountain-penned 
sheets in sunny windows
Will 
vibrate while this irreplaceable and
Obsolete 
box lasts 
It will 
last long this, new lost art
Because 
there are so many dry leaves fitted in the old box
Like 
memories they are so very thin 
But 
strong.
Tearing 
such gossamer  is  not as easy as you'd 
suppose
In our cyber-spacial kingdom 
there are many color images
In our computer's memory many favorite old snapshots
And vivid 
drawings we've committed to that realm
And our fountain pen will not quit till we do.
A way is 
pointed to a blending 
Validating procedures and leanings  
in the doing,
Printing 
computer-generated transparencies 
On 
talking paper - with penned script -
 And  
backlighting these marriages not on an electric monitor 
But in 
the window, backwards in the sun
(DZD )








 
 







