MOTHER AND CHILD by Willis Guthrie
on permanent display at the Congregational church
100 E Broadway, Waukesha
Wis Guthrie is known for his assembly of found objects.
Discarded things sometimes pulled out of dumpsters.
He has been a Quaker friend of our church for decades
backing up his wife Ina, SS superintendent
and since her passing Wis still attends services.
Here is an assembly by Wis of old picture frames
with the incidental but central focus being a silhouette outline cut with a
small saw, of Mary and Jesus.
Wis explained MOTHER AND CHILD thusly:
"I wanted to combine old picture frames, even a plastic one, around
representative icon Mother and Child in the way one finds sometimes in
European art museums. Where the central art object may be missing
but suggested by a silhouette as I have done with this.
The ornate framing thus becomes what people see.
I took a piece of worm-eaten wood, mitered it and it became part of the whole."
Wis has frequently bequeathed his principle of 'random' beauty, even worm-work,
to art students and those taking his Carroll (University) art history course
sometimes for the kicks. The kindly professor, 96, has been retired
for some years but still gives talks when asked.
Note: The church owns this featured artwork through the generosity of
George and Edith Love.
on permanent display at the Congregational church
100 E Broadway, Waukesha
Wis Guthrie is known for his assembly of found objects.
Discarded things sometimes pulled out of dumpsters.
He has been a Quaker friend of our church for decades
backing up his wife Ina, SS superintendent
and since her passing Wis still attends services.
Here is an assembly by Wis of old picture frames
with the incidental but central focus being a silhouette outline cut with a
small saw, of Mary and Jesus.
Wis explained MOTHER AND CHILD thusly:
"I wanted to combine old picture frames, even a plastic one, around
representative icon Mother and Child in the way one finds sometimes in
European art museums. Where the central art object may be missing
but suggested by a silhouette as I have done with this.
The ornate framing thus becomes what people see.
I took a piece of worm-eaten wood, mitered it and it became part of the whole."
Wis has frequently bequeathed his principle of 'random' beauty, even worm-work,
to art students and those taking his Carroll (University) art history course
sometimes for the kicks. The kindly professor, 96, has been retired
for some years but still gives talks when asked.
Note: The church owns this featured artwork through the generosity of
George and Edith Love.
.......
PLAY
.......
Teaching Mavis to Ride a Bike
We practiced in Baltimore's alleys with her dress
tucked in so it would
not catch in her wheels.
It was late summer and we waited until after
supper
when the sun melts. I held the seat and handlebars
and she
pedaled as fast as she could. She has
such thin legs, such balance. It did
not take
long before she left me standing in place:
hands in my
pockets, throat full of hope.